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VAMPIRE WEEKEND GETAWAY SEPT. 28, 2012
Who Cares that Hotel Transylvania Is So One-Note, It's a Really Funny Note
By Bilge Ebiri
The charmingly expendable enlivened flick Hotel Transylvania, which assembles every one of the beasts on the planet under one rooftop, is superior to it ought to be, if not exactly great. Coordinated by the Russian illustrator Genndy Tartakovsky, who has somewhat of an after gratitude to TV shows like Samurai Jack and Star Wars: The Clone Wars, the slight, straightforward story has sharp, expedient activity that keeps its generally deadened plot moving along. But on the other hand it has sufficient rowdy chuckles to keep us engaged - regardless of whether they are essentially a similar joke rehashed ceaselessly.
The film envisions Dracula (voiced by Adam Sandler, whose vampire voice has a weak reverberation of his Opera Man character from his SNL days) as an overprotective single parent, anxious to give his young girl Mavis (voiced by Selena Gomez) an appropriate childhood away from the universe of evil and bigoted people. (Whenever he peruses her a creepy sleep time book, it's with regards to individuals, not beasts.) in the middle of showing her the nuts and bolts of being a beast - she needs to place on a protective cap for her first effort to turn into a bat - he assembles Hotel Transylvania, a radiant palace arranged inside a tremendous, extensive retreat where every one of the beasts in creation can come to unwind without stressing over pitchforks and huge fires and irate hordes. (The inn is worked by a staff of zombies, witches in servant ensembles, and loud
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